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Hana Miletić (*1982, Zagreb, lives and works in Brussels) reflects on issues of representation and social reproduction, by making linkages between photography and weaving. The artist models her woven textiles after her photographs that document repairs in public space. Miletić uses the weaving process – which requires considerable time and dedication – as a way to counteract certain economic and social conditions at work, such as acceleration, standardisation and transparency.
Group-exhibition
"DOKA"
M Leuven, Leuven
15.12.2023—05.01.2025
Group-exhibition
"Dietrich"
Galerie Francesca Pia, Zürich
07.06.–23.08.2024
Group-exhibition
"Care Ecologies"
State of Concept, Athens
10.07.–14.08.2024
Solo-exhibition
"Soft Services"
MIT List Visual Arts Center, Cambridge (MA)
05.04.–04.08.2024
Group-exhibition
"Always Thinking Like A Scrim"
Shimmer, Rotterdam
02.03.–07.06.2024
Group-exhibition
"My Oma"
Kunstinstituut Melly, Rotterdam
08.12.2023—01.09.2024
Group-exhibition
"Our House is a very very very fine house"
Kunstmuseum Bochum, Bochum
18.11.2023—24.03.2024
Group-exhibition
"I see no difference between a handshake and a poem",
curated by Fernanda Brenner
Mendes Wood, Paris
14.10.–14.12.2023
Group-exhibition
"This Is Us"
Z33, Hasselt
01.10.2023–18.02.2024
Press
Frieze, October 2021
Chus Martínez, Portrait Hana Miletić
Artforum, September 2021
Baloise Art Prize 2021
Ocula Magazine, July 2021
Diana Campbell Betancourt, In Conversation with Hana Miletić
CURA, June 2021
Hana Miletić Patchy
Artforum, January 2020
Kate Sutton, Openings Hana Miletić
art-agenda, April 2019
Vincent van Velsen, Hana Miletić’s “Materiale”
blok, March 2019
Romuald Demidenko, From Automation to Households, and Back.
mousse, July 2018
Vincent van Velsen, CONVERSATIONS Hana Miletić